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CD - Park Records PRK CD59
Sound bits are available at
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Maddy Prior
& The Carnival Band Gold Frankincence & Myrrh
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Musicians: |
Maddy Prior - vocals Bill Badley - renaissance and baroque, lutes, guitar, mandolin, vocals Steve Banks - djembe, talking drum, saz, violin, vocals 'Jub' - modern and baroque double basses, percussion, vocals Giles Lewin - violin, viola, recorders, flute, shawm, vocals Raph Mizraki - 'ud, saz, darabuka, balafon, percussion, vocals Andy Watts - shawm, recorders, clarinet, turkish clarinet, bassoon, vocals |
other credits: |
Produced by John Dagnell Recorded at Warehouse Studios Engineered by Steve Walkins Sleeve design by Chris Sands © 2001 Park Records |
N o t e s a n d L y r i c s
Gold Frankinsence & Myrrh
In all religions there is a gathering of folktale and fable around the principal events, a magnification by countless people to help in understanding the lessons held in the sacred texts. The story of the birth of Jesus has attracted several legends concerning the Wise Men, or Magi, who were thought to have been present. We have tried in this cycle of songs to encapsulate some of these. The Three Kings, as they have become known, are generally envisaged as being of like mind, whereas in fact that is quite unlikely. In our version the three are from different backgrounds and have different temperaments. The words of this sequence were written by Maddy Prior. The music was created by combining material drawn from Middle Eastern, African and medieval sources (to suggest the origins and development of the Magi tradition) with original music developed through collective improvisation. It was first performed in December 2000. |
Melchior
Melchior, the bringer of gold, is a rich Nabataen Arab from the sophisticated city of Petra. A man made wealthy from trade with the Arabs to the south, his caravans of precious gifts move from the Yemen parallel to the Red Sea, up through Judea and North to Damascus. | ||
I have come with all my riches, Jewels, silver, gold. All the world delights to offer, Precious gifts unfold.
From Petra he has come,
Bringing bounty of the herdsman |
Trade routes South and East, Caravans a moving feast, Travellers tales and legends, Farther from his homeland For a truth that he will never lose.
Those more able have directed him, | |
Caspar
Caspar is an ascetic Zoroastrian priest, a scholar of the movement of the stars. He is looking for the birth of the son of Zarathustra who was to be born posthumously to the prophet. He is a puritan man of ceremony and ritual bringing frankincense as a sign of holiness. | ||
I am shriven for this task. Purity is required. I have studied for this moment. Knowledge is essential. I have prayed for strength. Devotion is the way.
The stars are moving in conjunction. |
Sirius gives us our Lord. The Son of the Sun He reappears before us, To remind us, to return us, To bring our hearts toward the sacred. | |
Balthazar
Balthazar is a young chiefs son from Axum, the ancient empire that became Ethiopia. Our Balthazar has been sent on a journey by the elders of his village, and he joins one of the caravans of Melchior as it heads north, buying from him some myrrh that he has brought from the Yemen. There is a tradition among the Ethiopians that the Ark of the Covenant was taken from the Temple in Jerusalem by the son of King Solomon and the Queen of Sheba (Queen Makeda), and is still thought to be lodged in the church of Maryam Tsion in the city of Axum. | ||
My tribe has bid me wander, to seek and find my fate; A trial to prove me worthy, in the stars my future waits.
A journey open ended,
Riddles to confuse me,
I will need their wisdom |
Beyond the rivers of Cush I come Tis Abay, Tis Abay To the land of King Solomon Konjo, Konjo, Tis Abay
Oh Na Axum
The lover of the Queen of Sheba
Oh Na Axum
She bore to him a little son
Oh Na Axum
The Ark is kept in a holy place
Oh na Axum, | |
Journey to Jericho
Jericho is on the route from the South and East towards Jerusalem. King Herod spent much time and money putting aqueducts in place to provide the fortress he had built with water. The groves of balsam and dates grown there were very valuable and all owned by him. Our travellers would have travelled from here up through the Volley of the Shadow of Death to Jerusalem, up on the plateau. | ||
From the deserts we have journeyed Parched and weary we are come.
Jericho, a sweet oasis
Cool groves of dates, and balsam, |
And he tends it well, from dry desert carefully he has changed all this land, It is watered now by his command.
A place of ancient battles, | |
Melima
'Melima' is a Middle Eastern archetype, roughly translateable as a 'boss woman'. This is a strong and positive image and doesn't have the Western negative connotation of 'bossy'. Herod's main negotiator was Nicolas of Damascus, who had previously been the tutor to Anthony and Cleopatra's children. He perhaps brought some girls with him from Egypt. Herod is said to have tried to gain news of the business of the wayfarers, and we have introduced the idea of a woman being asked to get the information. | ||
Catch your heart, Catch a smile, Perfumes and henna, catch all the men A whirling Et twirling Et laughing Et swirling
I can make men feel, Life's breath I steal |
Old man like a hawk, watches as I walk; Catch him with a sway, guilty looks away, The rich one pleases, teases me, Connoiseur I'd say, And the boy is just a boy, Good for an hour's play
Herod wants to know where it is they go | |
Journey to Bethlehem & Song of the Animals
Legend has it that on Christmas Eve the animals are able to speak (cf. track 9 'The Oxen'). Ours ore even more talented - they sing a catch! | ||
Ox: This is my stable so cosy and warm Sweet hay and straw and a shelter from storm. Mooo!
Ass: A break from travelling carrying my load.
Sheep: Down from the hills in the dead of the night |
Camel: It's cramped and cluttered and crowded and crushed, pokey and smokey and small. No room for me and my master, no room at all. Sheee! | |
Welcome Stranger
Mary sings a lullaby to her newborn son. | ||
Welcome little stranger, little joy Welcome darling stranger, darling boy.
Tiny toes and perfect fingers,
Welcome little stranger to this world; |
Growing so close, for so long, yet unknown Hidden within, silent, but so strong in my womb
Future's promise lies in the cradle
Welcome little stranger, meek and mild | |
Song of the Angels
As the wise men kneel at their journey's end, angels sing praises to the tiny child that is ultimately more powerful than any king. | ||
They are gathered to pay homage, praise him Strangers prophets of the word, praise him They are come to see a child So powerful and small Ey! Ey! Ey-a! Nova Gaudia
He will live to show the way to glory |
Verbum patris umanatur 0! 0! Dum puella salutatur, 0! 0! Salutata, fecundatur viri nescia. Ey! Ey! Ey-a! Nova gaudia (The Word of the Father is made human When the maiden is greeted Being greeted, she conceives not knowing a man. New Joy!) |
Creatures and Kings
Neither of the two gospels (Matthew and Luke) which contain accounts of the nativity mention animals at all - shepherds yes, but no sheep. Since Jesus was laid 'in a manger' the presence of a few farmyard animals seems perfectly reasonable but this does not fully explain the menagerie which over the centuries has crowded into the dark stable. Ox, ass, and sheep are joined by camels, horses, doves and in the case ofAlison Merry's illustration on the cover of this CD even a cat and a mouse! It does not end there. Other parts of the Christmas story are embellished with talking birds and a friendly lion, while the poet Dunbar exhorts fish and fowl to sing for joy. Apart from providing welcome roles for school nativity plays (many a six year old has been devastated by being told to play a sheep instead of a king, a donkey rather than on angel) why are they there? Perhaps there is on echo of Isaiah's prophecy of peace 'The wolf also shall dwell with the lamb, and the leopard shall lie down with the kid: and the calf and the young lion and the fatting together; and a little child shall lead them.' There is also a sense of the whole of creation rejoicing over the new born king. In addition these creatures have enabled pointers and poets to put their own slant on the Christmas story, from a comic ballad telling how King Herod is outwitted to a sentimental French 'pastorale'. We frame our exploration of creatures and kings with two 'modern' viewpoints - Hardy's regret for the loss of a childlike belief in the old tales and Blunt's and Warlock's reminder that the cosy nativity scene will give way to a bitter outcome. Above all, the animals help to offset the strange remoteness of the other onlookers in the stable. Few of us can be kings, and none of us angels. Animals and shepherds bring the Christmas story down to earth. |
The Oxen
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Christmas Eve, and twelve of the clock 'Now they are all on their knees', An elder said as we sat in a flock By the embers in hearthside ease.
We pictured the meek mild creatures where |
So fair a fancy few would weave In these years! Yet, I feel, If someone said on Christmas Eve, 'Come: see the oxen kneel
In the lonely barton by yonder comb | |
The Carnal and the Crane
A shortened version of a ballad which contains four legendary episodes from the childhood of Christ. 'Carnal' is probably an old term for a crow. | ||
As I passed by a riverside and there as I did reign In argument I chanced to hear a carnal and a crane. The carnal said unto the crane "If all the world should turn Before we had the Father but now we have the Son."
There was a star all in the East so bright it did appear, | ||
Then Jesus ah, and Joseph, and Mary oh so mild, They travelled into Egypt to the land of the Nile.
And when they came to Egypt's land |
"Come sit thee down" said Jesus, "Come sit thee down by me. And see how all these wild beasts do come and worship me."
First came by the lovely lion, | |
Then Jesus ah, and Joseph and Mary all unknown They passed by a husbandman just as his seed was sown. "Go speed thee man" said Jesus, "Go fetch thy ox and wain And gather up thy corn again which thou this day has sown.
If anyone should pass by and enquire for me alone
"The truth it must be spoken, the truth it must be known,
"Oh back then," said King Herod, "Our labour's all in vain,
The truth it now is spoken, the truth it now is known. | ||
Rorate coeli de super! * Heavens distil your balmy showers; For now is risen the bright Day-star, From the rose Mary, flower of flowers: The clear Sun, whom no cloud devours, Surmounting Phoebus in the east, Is comen of of his heav'nly towers, Et nobis puer natus est."
Celestial fowles in the air, |
Sing, heaven imperial, most of height, Regions of air make harmony, All fish in flood and fowl of flight Be mirthful and make melody: All Gloria in excelsis cry, Heaven, earth, sea, man, bird, and beast; He that is crowned above the Pro nobis puer natus est.
* Drop down, heavens, from above | |
Entre le boeuf et I'ane gris, Dors, dors, dors le petit Fils. Entre les deux bras de Marie, Dors, dors le Fruit de la Vie.
Mille anges divins
Entre les roses et les lys,
En ce beau jour solennel, |
Between the ox and the donkey grey Sleep, sleep, sleep little Son In Mary's arms Sleep, sleep, Fruit of Life.
A thousand divine angels,
Between the roses and the lilies,
On this wonderful, solemn day | |
Hark! Hark what news the angels bring: Glad tidings of a new-born King, Born of a maid, a virgin pure, Born without sin, from guilt secure.
Hail mighty Prince, eternal King! |
Behold! He comes, and leaves the skies: Awake, ye slumbering mortals, rise! Awake to joy, and hail the morn The Saviour of this world was born!
Echo shall waft the strains around | |
'When he is King we will give him the King's gifts
Bethlehem Down is full of the starlight
When he is King they will clothe him in grave sheets,
Here he has peace and a short while for dreaming |